We talk about theurgy: what, where, when, and, indeed, how? It's more complicated than we thought. Come for the Chaldæan Oracles, stay for the Technical Brutal Death Metal.
We discuss Plotinus on ‘magic’, in theory, and, yes, in practice. Come for magic as applied physics, stay for the apotropaic chickens.
We discuss the important Hermetic idea (or should that be ‘practice’?) of becoming divine with Dr M. David Litwa, who has devoted considerable thought to the matter of deification. A fascinating conversation emerges, and Litwa blows our mind.
We complete our reading of the Hermetic corpus, looking at tractates XI-XVIII (minus C.H. XV, which doesn't exist, and C.H. XIII, which we are discussing separately). Yet more inspiration, epiphany, and bafflement awaits the reader of these texts. Come for the hypercosmic god of eternity, stay for the musical cicada.
We discuss two world-building Hermetic texts from antiquity, the Latin Asclepius and the Korê Kosmou. We have seen Hermes as visionary pupil of the divine consciousness; now we see him as ancient esoteric sage, prophet of doom, and cosmic planetary deity.
We let the tape roll and get deeper into the world of ancient magic in Egypt. How secret was this stuff? And what really went on when you invoked a god to visible appearance? κρύβε!
In a special interview with Sarah Iles Johnston, expert on ancient Græco-Roman religion, relations between the living and dead, and theurgy, we discuss Hekatē, a fascinating goddess at the centre of the theurgic theory and practice of the Chaldæan Oracles and beyond.
We have looked at what kind of world the Chaldæan Oracles set forth. We turn now to the ways in which the adept navigates that world – through ritual, epiphanic visions, cognitive disciplines, talismans, and by leaving the body through breathing. This is theurgy, and esoteric religion in antiquity would never be the same again.
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