We penetrate further into the dream-labyrinth of the Hypnerotomachia with James Russell, exploring the book's many early readers. These include a pope, a playwright, and an alchemist. Codes, rebuses, polyvalent images, esoteric architecture, and more meet in the melting-pot of Humanism.
We discuss the Occult in Modernist drama with Sørina Higgins. Yeats, Waite, Williams, Crowley, and a cast of supporting characters appear on the stage. The line between ceremonial magic and dramatic performance gets a thorough rinsing.
We discuss the widespread idea of the ‘disenchantment’ of the modern world – the idea that ‘we don't believe in magic any more’ – with Jason Josephson-Storm. It turns out that the idea is a myth, that the myth is actually a number of complex, interacting myths, and that none of them is empirically-accurate.
Further discussion with Peter Grey, looking at aspects of the Crowley/Parsons/Hubbard story from magickal and scholarly perspectives.
We discuss the magickal activities of Jack Parsons, (Marjorie) Cameron, and L. Ron Hubbard in 1940's California with Peter Grey. Rockets fly, yachts set sail, and very, very strange things happen.
We introduce Robert Anton Wilson under the guidance of Erik Davis, whose recent book High Weirdness is the most important fnord scholarly approach to the man's life and thought. Occasional insights are interjected by Eddie Nix, friend and collaborator of R.A.W.
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