Amy Hale on the Magical Life and Art of Ithell Colquhoun

We speak with Amy Hale, anthropologist, folklorist, and writer of many facets, on the life, art, and legacy of Ithell Colquhoun, one of the 20th century’s most important (if widely overlooked) esoteric artists. Born in colonial India in 1906, Colquhoun moved with her family back ‘home’ to England soon thereafter; she later relocated from London to Cornwall, where she lived out her latter decades deeply embedded in the landscape and lore of the south-west’s furthest promontory. She was interested in elements of western esotericism – particularly alchemy and magic – from a young age, and had a lifelong spiritual practice, which expressed itself most notably in her incredible body of work, but also in her involvement with British Surrealism and a number of initiatic organisations, from the O.T.O. to Druidic orders.

We discuss Colquhoun’s life, work, and esoteric thought, attempting (and profitably failing) to pin down the multifaceted esoteric life and identity of this crucial figure of twentieth century esoteric art.

Interview Bio:

Dr. Amy Hale is an Anthropologist (PhD Folklore, UCLA) specializing in modern Cornwall and contemporary esoteric history and culture. She has co-edited four books and has written on topics as diverse as modern Druidry, Cornish ethnonationalism, Pagan religious tourism, and occult performance art. Co-edited collections include New Directions in Celtic Studies (With Philip Payton, University of Exeter Press 2000), and The Journal of the Academic Study of Magic 5 (with Susan Johnston Graf, Mandrake Press, 2009). She sits on the editorial boards of the Black Mirror Research Network and Correspondences journal. She has been a featured speaker for the Conference on Contemporary Pagan Studies at the Claremont School of Theology, the Occult Humanities Conference at NYU and I:MAGE at the Warburg Institute in London. Hale is the Co-Chair of the Contemporary Pagan Studies Section for the American Academy of Religion, and her biography of Ithell Colquhoun is forthcoming from Strange Attractor Press in early 2020.

Works Cited in this Episode:

Primary:

Colquhoun was hugely productive, not only of visual art, but of poetry (often published in fairly obscure small printings, with visual accompaniments), novels (the Goose of Hermogenes is a must-read alchemical dream-narrative, newly republished with its originally-intended illustrations and a lost chapter in Colquhoun 2017; I.C. also wrote several novel-length pieces, unpublished until recently), short tales, and essays on various subjects. All of the works mentioned in the interview can be found in the Recommended Reading below, and a small digital gallery featuring paintings discussed in the interview can be found by scrolling down.

Secondary:

  • The Book of Lambspring is a sixteenth-century alchemical emblem-book. You can check it out online here.
  • James George Frazer. The Golden Bough: A Study in Magic and Religion. Macmillan, London, 1939. [one of about a million editions of this ever-expanding work.]
  • René Guénon’s many works are legion. The best introduction to his influence, and to Traditionalism more generally, is M. Sedgwick. Against the Modern World: Traditionalism and the Secret Intellectual History of the Twentieth Century. Oxford University Press, USA, 2004.
  • Gurdjieff of the artist as seer: see Ouspensky’s Tertium Organum, available online here.
  • Charles Howard Hinton. A New Era of Thought. Swann Sonnenschein, London, 1888 and  The Fourth Dimension. George Allen, London, 1904 [for some background on the intriguing work and influence of Hinton (who blew everyone’s mind back in the day), see Tommy P. Cowan. ‘Devils in the Ink: William Burroughs, Brion Gysin, and Geometry as a Method for Accessing Intermediary Beings’. Aries, 19:167–211, 2019. and I.P. Couliano. Out of this World: Otherworldly Journeys from Gilgamesh to Albert Einstein. Shambhala, Boston, MA/London, 1991, pp. 15-22].
  • Linder Sterling’s Colquhoun-inspired ballet project The Mantic Stain, with its crazy rug, can be checked out here.

Recommended Reading:

Richard Shillitoe maintains an excellent website devoted to all things Colquhoun, which is a great first stop when exploring the life and work of the Sage of Lamorna.

  • Dawn Ades. ‘Notes on Two Women Surrealist Painters: Eileen Agar and Ithell
    Colquhoun’. Oxford Art Journal, 3(1):36–42, 1980. with Colquhoun’s response, ‘Women in Art’. Oxford Art Journal, 4(1):65, July 1981.
  • Ithell Colquhoun. ‘The Mantic Stain’. Enquiry, 2(4):15–21, 1949.
  • Idem. The Living Stones: Cornwall. Peter Owen, London, 1957.
  • Idem. Goose of Hermogenes. Peter Owen, London, 1961.
  • Idem. Grimoire of the Entangled Thicket. Number 4 in Chariot Poets. Ore
    Publications, 1973.
  • Idem. Goose of Hermogenes: Special Illustrated Edition. Peter Owen, London, 2017.
  • Idem. Taro as Colour. Fulgur Press, 2018.
  • Idem. Medea’s Charms: Selected Short Writing of Ithell Colquhoun. Peter
    Owen, London, 2019.
  • Amy Hale. ‘The Magical Life of Ithell Colquhoun’. In Nevill Drury, editor, Pathways in Modern Western Magic, pages 307–22. Concrescent, Richmond, CA, 2012. [A good introductory article, which you can download here: Hale_The_Magical_Life_of_Ithell_Colquhoun]
  • Amy Hale. Ithell Colquhoun, Genius of the Fern Loved Gully. Strange Attractor Press, forthcoming 2020.
  • Richard Shillitoe. Ithell Colquhoun, Magician Born of Nature. 2nd, expanded and revised edition, 2010.
Dance of the Nine Opals, 1942. Colquhoun’s discussion of this painting is very interesting.

 

Hexagram

 

Battle Fury of Cuchulainn

 

Horus

 

Telematic Tree