In this, our last Zosimus Storytime episode, we discuss the ‘Final Accounting’ or ‘Final Quittance’, a work in which Zosimus lays out for Theosebia the most recondite and hardcore spiritual practice to be found in his oeuvre. Part Hermetic, part demonic, all alchemical.
In this episode we look at the collection of short texts often called ‘The Visions of Zosimus’, hallucinatory dream-narratives which Zosimus relates and then interprets for us. This is the earliest extant visionary alchemical allegory, and it's serious stuff.
We delve into On the Letter Omega, one of Zosimus of Panopolis' most cryptic and extraordinary texts (which is saying something). It turns out that to understand the technical implements of alchemy you need to understand the fall of the primordial human being into the materialised Thoth-Adam.
We fill in some of the historical, cultural, and economic background of Zosimus' life and practice with Shannon Grimes. Come for the economics of metallurgy and ancient Egyptian trade-guilds, stay for the living statues.
In an extra episode with Dr Hallum we go all-in on the tangled textual web of the Arabic Zosimus. Who wrote what, and when? We then explore the incredible Muṣḥaf al-ṣuwar, our earliest alchemical emblem book, relating the text and images, and trying to make sense of it all.
We further explore the thought of Zosimus of Panopolis with Dr Bink Hallum, whose PhD research centred on the Arabic Zosimean corpus. We cover the basic (if confusing) textual situation, and then discuss astral influences, daimones and demons, mysterious talismans, Enochic ideas, and much more.
We continue our discussion of the great Zosimus, with anecdotes from the laboratory, discussion of the rhetorics of secrecy and the esoteric in Zosimus' works, and of Zosimus' Nachleben as one of the great alchemical authorities down the ages.
We discuss the life, work, and thought of Zosimus of Panopolis, greatest alchemist of late antiquity, with Professor Matteo Martelli. All is One!
All text and podcast content is licensed under a
Creative Commons Attribution-NonCommercial 4.0 International License
